Montreal Review: Fleetwood Mac's golden oldies are aging just fine

When Mick Fleetwood and John McVie formed Fleetwood Mac as a British blues band in 1967, they probably never envisioned that they'd be playing to adoring arena audiences, paying up to $150 per ticket, 42 years later.

And they certainly could not have foreseen, during that long-gone summer of love, that all the adulation would be directed at two Yanks they had yet to meet.

As any of the 11,000 fans at the group's Bell Centre concert last night will tell you, drummer Fleetwood is a muscular timekeeper and bassist McVie provides an unobtrusive, solid anchor of his own. But it's also clear that, at all times, virtually all the energy in the room emanates from - and comes back to - singer Stevie Nicks and guitarist Lindsey Buckingham, the group's songwriters and its heart and soul.

If there was a defining moment in last night's hit-heavy show, it was when Buckingham completely took over Oh Well, a snarling 1969 rocker by original guitarist Peter Green that predates his and Nicks's presence in the band by more than five years. While Buckingham, undeniably the group's frontman, soloed away furiously, Fleetwood played the crazy-old-grandpa part for the benefit of the giant video screens.

Buckingham's prowess on his instrument simply isn't talked about often enough. Whether he's playing tasteful, economical phrases, as he did during ex-member Christine McVie's Say You Love Me, hammering out manic rock-flamenco note clusters in Big Love or fingerpicking the tasty folk-blues licks of Never Going Back Again, he's one of rock's most interesting players.

During his five-minute solo in I'm So Afraid, he made the instrument rumble, shriek and gasp, sending out shards of high-pitched squeals and hammering out repeated patterns. Unlike your average guitar god, Buckingham made no attempt to show how many different notes he could squeeze in per minute.

What makes a Fleetwood Mac show so satisfying, however, is the way Buckingham and Nicks complement and balance each other, in both their vocal blend and their approach to songwriting. For every Buckingham power-pop stomper like I Know I'm Not Wrong or Second Hand News came one of Nicks's earthier, more linear crowd-pleasers, like Gypsy or the sweetly nostalgic Landslide, which she sang in her long-familiar husky, lower register. (And, incidentally, how fantastic did she look?)

Buckingham spoke on stage of the emotional challenges that have defined the group's internal relationships over the years. But during Sara, Nicks crossed over to his side of the stage and he put his head on her shoulder.

Staged? Probably - but really, who cares? That affectionate gesture spoke of a hard-won victory that pretty much ensures that - to paraphrase the group - the chain will never be broken.

Article by By BERNARD PERUSSE, The Montreal Gazette

Ottowa Review

OTTAWA - Not they don't still look pretty darn good, but listening to Fleetwood Mac and wondering who's sleeping with who just doesn't have the same appeal as it did 30 years ago.

Did Stevie Nicks and Mick Fleetwood get it on before the show? Who cares? Probably not even Lindsey Buckingham.

He's already told her to go her own way. She went.

But she's back, again, still sexy at 60. They were all back last night at Scotiabank Place. All except Christine McVie, who declined to join her ex -- bassist John McVie -- and the four other bandmates for the tour, which kicked off March 1 in Pittsburgh and heads to Montreal tonight and Toronto on Thursday.

That left Nicks as the only woman in the band that became known in the 1970s as much for their tangled love lives as their chart-toppping hits.

"As you know, Fleetwood Mac has a convoluted and emotional history," Buckingham wink-winked to the 14,000 fans last night.

Yes, we know. Their 1978 Grammy-winning album, Rumours, filled us in. Stevie-Lindsay, Mick-Stevie, John-Christine, Christine-lighting guy-etc. It's what gave songs like Go Your Own Way, Second Hand News and Dreams an almost voyeuristic feel.

Teenage imagination, run wild.

Anyway, time heals all wounds. As Buckingham said last night, "We take breaks, long breaks, and every time we reconvene it's a little different. This time, we just said let's go out and have some fun."

They stuck to the plan last night. On drums, Fleetwood -- the ponytail, so prominent on the Rumours album cover, now grey -- sported a perma-grin. Buckingham teased the crowd by hinting at an upcoming album. "With no album to promote -- yet," he said, "we thought we'd sing the songs we all love."

And Nicks was warm and engaging in her black top and grey skirt -- and later, ruby dress and gold shawl, and even later, black dress and top hat -- that flowed when she swayed and twirled in that familiar hippie-like dance.

Proof of the reconciliation was in the encore. Stevie's Silver Springs, which reportedly caused a row when Mick cut it from Rumours, was the closer last night. Apology apparently accepted.

So while there may not have been much sexual tension on stage last night -- Stevie did lay her head tenderly on Lindsay's shoulder at the end of Sara -- there was plenty of good music. The songs stand up on their own, without the "convoluted history."

They sang most of their greatest hits last night, but not all. They couldn't, not without Christine. Over My Head, You Make Lovin' Fun, and Little Lies wouldn't be the same without her distinct lead vocals. Nicks and Buckingham attempted Say That You Love Me, which was sung by McVie on their self-titled album, but it didn't sound quite right. Nicks fared better on the second verse of Don't Stop, which was McVie's. But, hey, if Bill Clinton could sing it during his 1993 presidential campaign, anybody can.

Regardless, Nicks and Buckingham sing vocals on enough Fleetwood Mac hits to easily fill out a three-hour concert. If it was Nicks, instead, who wasn't there, they wouldn't have attempted Rhiannon, Gypsy and certainly not her solo hit, Stand Back.

And that was a pretty good tradeoff.

Article by Shane Ross, Sun Media. Link from Jam! Showbiz.

NJ Review: Fleetwood Mac explores its past

At Fleetwood Mac's Saturday night Izod Center concert, singer-guitarist Lindsey Buckingham talked about getting together in January, after several years apart, to rehearse for the current tour. Band members told each other "Let's just have fun," he said.

At the Meadowlands, Buckingham, seemed to be doing just that, belting out songs, taking long, flamboyant guitar solos and stomping around the stage. Drummer Mick Fleetwood also seemed to be enjoying himself immensely -- every time the video camera caught his face in a closeup, he was smiling like a mischievous schoolboy who just got away with an outrageous prank. Bassist John McVie didn't seem to be having fun, or experiencing much emotion of any kind. Then again, he's been a stoic figure throughout his 40-plus years with the band, so it would have been foolish to expect anything else of him.

The biggest problem with the show was that singer Stevie Nicks, who co-fronts the band with Buckingham, didn't seem to get the fun memo. Granted, most of the songs she sang, such as "Dreams," "Sara," "Gypsy" and "Rhiannon," are low-key affairs, powered by subtle hooks and an air of mystery. But she sang them so half-heartedly they didn't exert their usual charm. It wasn't until the second half of the show, on songs like "Stand Back" and "Gold Dust Woman," that she seemed fully engaged.

Nicks' diffidence didn't kill the show: the repertoire the band has assembled over the years is too indestructible for that. But it kept a solid show from becoming transcendent.

The band's history goes back to the British blues-rock explosion of the '60s, But it wasn't until the mid-'70s, when the lineup settled on Fleetwood, McVie, Buckingham, Nicks and McVie's then-wife Christine McVie, that Fleetwood Mac became a hit-making machine. This is the band's second tour without Christine McVie, who retired from touring in 1998.

Read the rest of this review over at NJ.com.

On The Road: Rolling Stone Fleetwood Mac Artcile/Lindsey in EQ

Hey guys! Fleetwood Mac is on page 18 of the April 2, 2009 issue of Rolling Stone. I took the liberty of scanning the article, hopefully this posts correctly....

Also, Lindsey is featured in the April issue of EQ magazine - he basically talks about his technique in the studio and whatnot. Nothing about the tour or Fleetwood Mac or anything like that. Just giving you all the heads up! Enjoy the NJ show tonight, whoever is going!

Stevie Will Be Signing Copies of her Soundstage release!

New York Post states the following.....

THAT on March 31, a lot of Stevie Nicks' devotees are expected at the Barnes & Noble in Union Square for the rock goddess' first in-store signing of her "Live in Chicago" DVD.

Barnes and Noble: Union Square
33 East 17th Street
New York, NY 10003
212-253-0810

7pm

Good luck to anyone that can make it, I'm sure the place is gonna be a ZOO!!!

Nicks Rules Out Autobiography

From ContactMusic.com

The singer has enjoyed an extensive solo career in addition to her tenure with the Landslide rockers, who began their latest world tour earlier this month.

Nicks admits she's been approached to chart her life on the big screen and in books, but the singer is convinced she has much more rocking to do before her story can be told.

She tells the New York Daily News, “I could certainly write the story of my life, and do it well, and people have approached me about doing a movie, but I’m not ready because I don't think my story is over.”

Tamed By Time: Ex-Lovers, Hit Songs (MSG Review)

House lights still dimmed, Lindsey Buckingham and Stevie Nicks came out onto the Madison Square Garden stage on Thursday night holding hands, then took their positions at opposite sides of the stage and got into character: Ms. Nicks the romantic mystic, Mr. Buckingham the petulant cad. At points over the next two hours Ms. Nicks would cede the stage to her former lover, disappearing backstage as if she couldn’t bear to watch, or couldn’t be bothered. Probably the latter.

This is Fleetwood Mac, the golden years, catering to two different constituencies. Mr. Buckingham, with his extravagant gestures, indulgent guitar playing and general air of preening, was trying very hard to keep a flickering flame alive — a panting salesman. Ms. Nicks, on the other hand, appeared content with laurel-resting, coasting along on the familiar: the shawls, the twirls, the fringe dangling from her microphone and, occasionally, the piercingly cloying vocals. A screen with scrolling words — lyrics, presumably — sat at her feet.

As ever, the rhythm section — the drummer Mick Fleetwood and the bass player John McVie, for whom, together, the band is named — soldiered on like exceedingly tolerant parents. Mr. Fleetwood, ponytail intact and wearing short pants that brought to mind plus fours, played with force, if not grace, and Mr. McVie succeeded by not drawing notice to himself. In a band so obsessed with role-playing, such restraint qualifies as innovation.

“There is no new album to promote — yet,” Mr. Buckingham teased early in the night. But even the most rabid Fleetwood Mac fans probably don’t crave the distraction of new songs and were perfectly content with this show, designed as a hits revue and sticking closely to the band’s self-titled 1975 album and its follow-up two years later, the tragicomic “Rumours,” one of the biggest-selling albums ever. (These were the first with the band’s essential lineup, which included the Buckingham-Nicks combo and Christine McVie, who no longer tours with the band.) Here, particularly on the breakup songs from “Rumours,” Ms. Nicks and Mr. Buckingham still had a touch of zest, making for rare moments of lightness. (Mr. Buckingham also shined on a theatrically unhinged version of “Go Insane,” from his solo album of the same name.)

Mostly, though, the band sounded desiccated. On “I’m So Afraid,” Mr. Buckingham’s guitar solo, which he accompanied with hoots and hollers, was excruciatingly long, and excruciatingly dull. On “World Turning,” Mr. Fleetwood saw him, but thankfully did not raise him, with his own numbing solo.

And just as it did 30 years ago, the band succumbed to an obstacle of its own creation, and its name was “Tusk.” That 1979 album, driven by Mr. Buckingham’s experimental impulses, was an overreach, burdensome and needlessly decadent. Here, after the band played the title track and “Sara” midset, it never fully recovered. Introducing “Storms,” from that album, Ms. Nicks said the band chose it for this tour because they had never played it live before, though the turgid rendition that followed made it clear why that had been the case.

Unexpectedly, the night’s most invigorating moments came when the band stepped out from its own long shadow. “I Know I’m Not Wrong,” a song from “Tusk” played early in the night, sounded like the Replacements, as if the band had just discovered punk. And “Oh Well,” an electric blues from before Mr. Buckingham and Ms. Nicks joined the group, was a welcome nod to the band’s early history as a tribute to something bigger than itself.
By John Caramanica, The New York Times

Toronto Review

TORONTO - It felt like the mid-to-late '70s all over again at the Air Canada Centre on Tuesday night as Fleetwood Mac's Greatest Hits - Unleashed tour pulled into the hockey hanger for the first of two shows on St. Patrick's Day.

And while the opening song, Monday Morning, wasn't a very smooth start to the two-hour-plus concert - singer-guitarist Lindsey Buckingham's first words weren't on microphone - and the followup tune, The Chain, sounded a bit disjointed and unpolished, the evening eventually picked up as the veteran rockers found a decent groove by the third number, Dreams.

"We are Fleetwood Mac, and we're thrilled to be here tonight. We hope you have a wonderful time. And now I think we should get this party started," said iconic singer Stevie Nicks, 60, decked out in her usual costume of flowing black dress and black suede boots with black scarves and silver chains decorating her microphone stand.

On their first tour together in five years, the band - rounded out by Brits Mick Fleetwood, 61, on drums and John McVie, 63, on bass - played material primarily from 1975's Fleetwood Mac, 1977's juggernaut Rumours (30 million copies sold worldwide and counting) and 1979's Tusk, embracing their most commercially successful years after Americans Nicks and Buckingham joined the group. (British keyboardist Christine McVie - and John's ex - gave up touring in 1989.)

Notable deviations from that trio of albums were Gypsy from 1982's Mirage, Big Love from 1987's Tango In The Night, Oh Well from 1969's Then Play On, Buckingham's 1984 solo tune, Go Insane, and Nicks' 1983 solo song, Stand Back, all highlights in a set brimming with hits.

Read the rest of this review over at Jam Showbiz!

Rochester Review: Fleetwood Mac sticks to basics

Concert: Standard legacy rock act, Fleetwood Mac.

When and where? Monday night, Blue Cross Arena.

Attendance: About 8,000. Just a few hundred seats empty at the back of the building.

What was the band wearing? Drummer Mick Fleetwood and bassist John McVie sported white shirts, black vests and motorcar caps, like a couple of chaps out for a spin in the English countryside. Fleetwood was also wearing knickers. Guitarist/singer Lindsay Buckingham chose a black leather jacket. Singer Stevie Nicks opted for several outfits, opening with a basic-black Wiccan gown with bat wings, later a wine-colored, sequined Victorian wing-backed chair cover.

What was Christine McVie wearing? Probably flannel pajamas and fuzzy slippers, the standard uniform for a night in front of the telly. She hasn't toured with the band for almost two decades. Three back-up singers filled her backing-vocal parts (and ably supported the husky-voice pixie, Nicks).

Did they play their hit songs? Opened with "Monday Morning." "The Chain," "Rhiannon," "Second-Hand News," "Stand Back," "Say You Love Me," "Go Your Own Way," "Don't Stop." You could have gotten many of them on the CD for $18.99. My ticket cost $149.50 (plus service charge of $11.35).

Any insights into interior design of the rock stars? Nicks says her bed is still on the floor, just like the line says in "Gypsy."

Did they play any Dixie Chicks songs? Sure, "Landslide."

That's actually a Mac song from 1975. Any new numbers? "Go Insane." That was a Buckingham solo hit in 1984, wasn't it?

C'mon, it wasn't that stale, was it? Not at all. Midway through the show, Buckingham seemed to lift it to a new level. He's clearly the one most interested in steering away from nostalgia, although he did sneak a few chunks of Led Zeppelin's "Whole Lotta Love" in there. The night became a showcase for him as a guitar player. The guy can really, really play. He turned "Big Love" into a raging animal, yelping with glee. Nicks was the comfort food; the crowd loves her and Fleetwood, who's about eight feet tall.

Any marching bands? No. "Tusk" was an early highlight, reworked amazingly, with Buckingham spookily reciting the opening lines to minor-key accompaniment, laughing with evil intentions, then the whole thing taking off into some kind of a Highland stomp.

Did the audience wish it was 1975 again? Oh yeah. Everyone cheered when Nicks came out on Buckingham's arm, and when he nuzzled her shoulder like a puppy at the end of "Sara." But their romance ended decades ago, they've moved on, they have lives now beyond the circus that was Fleetwood Mac. Early in the show, Buckingham told the crowd that Fleetwood Mac had once enjoyed a "complex, convoluted emotional history." Everyone seems to have survived.

Did you like the show? Yeah. Buckingham stole it.

Make deadline? Yeah.

By Jeff Specak, Democrat & Chronicle

Fleetwood Mac Focuses on Familiar in Uncasville

There is no false pretense to the current Fleetwood Mac reunion tour. With no new album to push, it is a pure nostalgia play, a look back and the band's considerable height of popularity in the 1970s and '80s. At Mohegan Sun Arena in Uncasville Saturday night, the group focused on precisely that, a parade of hits that retained their accessible appeals even when the people forging them showed signs of wear.

With four of the five members from its commercial heyday on hand, the act leaned heavily on the familiar from the outset, opening with the contoured pop rock of "Monday Morning" as a showcase for guitarist Lindsey Buckingham, who recalled the greatest part of his past appeals when barking lyrics. He was the sharpest part of the vocal harmony as he joined with vocalist Stevie Nicks for "The Chain," which John McVie's plump bass line pushed toward its familiar driving finish.

Always a somewhat unconventional vocalist, Nicks retained some of the ragged sweetness that was her hallmark, but made her offerings with limited intonation that stiffened the otherwise fluid pulse of "Dreams." The musical backdrops over which she hovered were sturdy and smooth, strong enough to cover for her flattening the lyrics of "Gypsy" and a brittle reading of the otherwise supple "Rhiannon."

Drummer (and lone original from the band's initial 1967 incarnation) Mick Fleetwood manufactured robust pacing for the likes of the rattling "Second Hand News" and the bounding "Tusk," the latter of which saw its marching band passages replicated by keyboard player Brett Tuggle, one of two support musicians who, along with three vocalists, filled out the show's arrangements.

Alongside such familiar fare as a Nicks/Buckingham acoustic duet on "Landslide" and a jaunt across "Say You Love Me," the show also ranged a bit off the beaten path, forgoing bigger hits (including some sung by the now-retired Christine McVie) for the likes of the flowing ballad "Storms" and the rumbling, propulsive 1969 number "Oh Well." Buckingham and Nicks also dipped into one solo catalog tune apiece; he strummed hard on an acoustic guitar for "Go Insane," while Nicks yelped at the synthesizer backbone of "Stand Back."

Most of the big spotlight moments came from Buckingham, who extended "I'm so Afraid" with an indulgent electric guitar solo, and turned the set closer "Go Your Own Way" into a finale that amounted to little more than everyone else in the band watching him work out. After an initial encore that included a full-bore trip through "Don't Stop," the group returned a second time, stretching its show to two hours and twenty minutes with "Silver Springs," an outtake from its 1977 album "Rumours." The show featured seven other tunes from that popular album, and not a one from the most recent Fleetwood Mac disc in 2003, a tally certainly in keeping with the show's greatest hits theme.

By Thomas Kintner
The Hartford Courant

Fleetwood Mac Lights Up Nassau Coliseum

Four of the five original members of Fleetwood Mac lit up Long Island's Nassau Coliseum on March 13, 2009 during their one-night show in Hempstead. Embarking on their first concert tour in five years, the group chose to call the tour "Unleashed", which was a perfect description for the crisp, focused vocals and solid musicianship displayed on the stage. Without having to support a new album, the group was able to play all of the crowd's favorite hits and show off each member's unique personality.

Stepping to the front of the stage where they produced highlight vocals and sincere duets were former-couple Stevie Nicks and Lindsey Buckingham. Long parted, the two produced many fine memborable moments during the evening. Toward the end of the sweetly-sung "Sara", Nicks walked toward Buckingham on stage and let him lay his head on her shoulder as he smiled at the audience. During many of their songs, they earnestly looked toward at each other, giving the audience an up-close view into the dynamics of this duo. Before she sang "Landslide", Nicks told the crowd that she was switching from dedicating the song to her father to dedicating to Alicia Keys, "one of the most talented artists out there." On "Tusk", Buckingham started slow and quietly by singing, "Why don't you tell me who was on the phone; Why don't you tell me what's going on," then put all of his emotions into the song's refrain with wrenching animal cries that fit into Fleetwood's drum beat.

Throughout the show, Mick Fleetwood kept the band cooking with fine drumming while the audience was kept amused with his bug-eyed expressions or teasing facial tics. During one of the final songs, World Turning, Fleetwood was given a drum solo to display why he is still considered one of the leading drummers in the world. Fittingly, as the founding member of the group, it was Fleetwood who introduced everyone on stage, even "Stephanie" Nicks, better known to all of us as Stevie. He called John McVie his partner in crime and joked about how they've been playing together for 40 years.

John McVie was the more reticent member of the group. Even with a spotlight showing on him all night long, he remained toward the back of the stage, playing bass, but never making eye contact with the crowd or any of his band mates.

Missing from the group was Christine McVie, who has retired from the stage. Her vocals were replaced in the song she wrote "Say You Love Me" by a solid duet between Nicks and Buckingham. These two, plus Mick Fleetwood, carried the night with strong voices, incredible guitar and drum work, and an unabashed love for the audience, which was sent right back to the legendary group. The evening ended on a high note with the upbeat "Don't Stop Thinking About Tomorrow" anthem giving everyone a positive lift to a very positive show.

By Debora Toth
Long Island Travel Examiner

Stevie & Lindsey Interviewed

Here is another section of the ET interviews we got back in December, this time it's for CNN - a little longer and a little more interesting!

Embedded video from CNN Video

Two Boston Reviews

Fleetwood Mac Don't Stop Delivering
By Lauren Carter
The Boston Herald

It’s official: Fleetwood Mac hasn’t lost a step.

They may be aging rock stars on the back end of massive stardom and near-meltdowns, but apparently they’re no worse for the wear.

Five years since their last tour, sans keyboardist and singer/songwriter Christine McVie, the Mac remains a well-oiled machine that need only be kicked into gear when the timing is right.

Wednesday night at a nearly sold-out TD Banknorth Garden the famous foursome rocked as though they’re not technically hovering near senior citizenship.

John McVie was the silent, sturdy anchor of the rhythm section, tugging at his bass with businesslike precision.

Counterpart Mick Fleetwood was, as usual, giddy and borderline crazed with joy to smash away at a drum set and serve as the band’s pulse.

At 59, Lindsey Buckingham continues to play with the inspired, tortured fervor of a guitarist with much more to prove and much less in his bank account.

Whether plucking away solo on the acoustic monster “Big Love,” playing backup to Stevie Nicks on the always poignant “Landslide” or letting loose like a man possessed on “I’m So Afraid,” Buckingham’s guitar work remains an undeniable star of the Mac spectacle.

A radiant Nicks reprised her role of dreamy enchantress on “Gypsy,” a beautiful “Sara” and “Storms,” the “Tusk” gem that is seeing the light of performance for the first time on this greatest hits tour.

Nicks’ voice has deepened, but its emotive quality is still intact, and she accessorized the Mac’s music with her typical array of add-ons - layers of lace and chiffon, a top hat during “Go Your Own Way,” swats at the tambourine, wry smiles, her signature sways and spins, wardrobe changes while Buckingham went to work on the guitar, and - occasionally - shared glances with Buckingham that probably did as much for the crowd as the music itself.

At two-plus hours and 23 songs, the set allowed latitude for the band to delve into their greatest hits and beyond, including “The Chain,” the shadowy “Gold Dust Woman” and “Say You Love Me” as well as “Don’t Stop,” Nicks’ synth-rock hit “Stand Back” and the one-time “Rumours” B-side “Silver Springs” during the second encore.

The extra dimension that Christine McVie adds to the band’s harmonies - as well as their musical selections - was clearly missed, but her absence let the focus alternate between Nicks and Buckingham.

Golden dreams with Fleetwood Mac

By James Reed
The Boston Globe

With no new album to plug, Fleetwood Mac is on the road again for the best and right reason: to have fun with the band's 40-year catalog.

Guitarist Lindsey Buckingham admitted as much last night at the TD Banknorth Garden, which was just shy of selling out but long on fervent audience enthusiasm.

The 2-hour show didn't present the band's greatest hits in a new light, but rather was a striking reminder of their endurance. If I didn't already own them, I would have rushed out to buy "Rumours" and "Tusk" after realizing how timeless songs from those seminal albums still sound.

Fleetwood Mac has always thrived on, for better or worse, the dynamic among its members, and that tension was a vital part of the show's ebb and flow. Introducing "I Know I'm Not Wrong," Buckingham said the band has had "a complex and convoluted emotional history."

Case in point: After singing "Sara," Stevie Nicks sauntered over to Buckingham's microphone, peered into his eyes, and sang the last verse directly to him. Even though the song is more about Nicks's relationship at the time with Mick Fleetwood, Buckingham collapsed his head on her shoulder. Scripted or not, it was the evening's most poignant highlight. "We didn't rehearse that one," Buckingham said afterward, looking a bit flushed.

Nicks, ever the beloved rock goddess at 60, often kept her strength in the reserves. With her signature shawls and gold-flecked black scarves dangling from her mike stand, she was unusually tepid on "Dreams" early on but then a lively, black-magic woman on "Rhiannon" a few songs later. "Gold Dust Woman" ended with Nicks cast in silhouette, arms outstretched and her back, covered in long blond hair, to the audience.

Buckingham, however, was a man on fire, showing a youthful elasticity in his singing and guitar playing. He's 59 going on 40. Some songs were clearly tailor-made to showcase his guitar prowess, namely a bombastic take on "Big Love" and a searing, extended solo on "I'm So Afraid."

Meanwhile, every time the cameras caught him, Mick Fleetwood looked like the mischievous kid who had scampered onstage to pummel the drums on his favorite songs. Chrome-domed and still sporting a ponytail, he was the evening's designated ham - and eminently watchable. And bassist John McVie looked happy where he's always been: anchoring the group from the shadows. Fleetwood Mac's other anchor, Christine McVie, decided to skip this world tour.

Even without her, the band was at its most thrilling when all its members were in synch with the crowd. On "Go Your Own Way" and "Don't Stop," you couldn't tell how much of the volume was coming from the stage or from the surround sound of stadium-size singalongs.

It says something, though, when an entire arena falls silent for spectral ballads such as "Landslide" and the evening's farewell, "Silver Springs." Sometimes the greatest hits, even with some dust on them, are indeed still the greatest.

DC Review: Like Old Times

By Adam Mazmanian
The Washington Times

Mick Fleetwood acts as if he has the best job in rock 'n' roll. Resplendent in breeches, stockings and bright red shoes, he commands the stage from his position on a riser surrounded by a gargantuan drum kit, complete with a shiny golden gong. The occasional close-ups of him on the JumboTron at the Verizon Center last night revealed a man gleefully possessed, whether tapping on a cowbell or unloading on the crash symbols. His drums are amplified beyond what is normally considered decent for a band that attracts, let us say, mature audiences.

Mr. Fleetwood's drive, energy and sheer joie de vivre are perhaps underrated as a force behind Fleetwood Mac's success. Another reason behind the band's success was there only in spirit - Christine McVie, singer, songwriter and ex-wife of founding bassist John McVie.

The band is crisscrossing the United States and Canada playing arena shows on its "Unleashed" tour. With no album to promote, the band mates are playing a selection of their most popular hits, a few of Miss McVie's compositions among them - including "The Chain," "Say That You Love Me," "World Turning" and "Don't Stop." For longtime fans steeped in the band's romantic intrigue, tempestuousness and shifting lineups, the current tour offers a familiar, passionate approach aimed at pleasing the vast majority of the audience.

Guitarist and singer Lindsey Buckingham alluded to this, introducing "Dreams" with a brief monologue on the "fairly complex and convoluted emotional history" of the band. By and large, though, Mr. Buckingham let his nimble fingers do the talking. His fiery, loose finger-picking style is a rarity among big-name electric guitarists. His frequent solos appeared to leave him spent, and he seemed authentically humbled by the applause that rained down after his efforts - especially after the lengthy, lightning-fast shredfest that concluded "Go Your Own Way."

Mr. Buckingham also does justice to the softer side of the Mac oeuvre, shifting adroitly between the frenzied, pulsating electric material and the acoustic miniset he performs with just Stevie Nicks at his side, including "Landslide" and "Never Going Back Again."

Miss Nicks was the wild card of the foursome. Her voice is best when it's rough and edgy, but at times her signature timbres seemed to give way to a flatter, more generic sound. On a few songs, her vocal lines were buoyed by the efforts of three backing vocalists. Her performance was uncertain at times as she leaned on her microphone as if for support. Perhaps, because it's early in the tour, she was pacing herself.

Still, by the time Miss Nicks had worked her way through two costume changes and the band had busted out the classic (and local favorite) "Silver Spring," she sounded a little more like the Stevie Nicks of yore. If Miss Nicks was feeling shaky, her audience was more than prepared to forgive her. She got her biggest cheer of the evening on "Landslide," with the lyric "But time makes you bolder/Children get older/I'm getting older too."

The 23-song set was more than businesslike but less than riveting. While the Verizon Center was filled nearly to the rafters, there wasn't an overpowering energy in the crowd. Even in the very front, just a few rows danced their way through the show. But my guess is that people who grew up on Fleetwood Mac will experience whatever transcendence their memories supply so long as the band keeps cranking out their old hits.

3/8/2009 Detroit Review (Billboard)

Early in the fourth show of Fleetwood Mac's Unleashed tour, guitarist Lindsey Buckingham referenced the group's "fairly complex and convoluted emotional history," drawing a laugh from the crowd and even some knowing smiles from his bandmates.

But can there be a Fleetwood Mac without the drama?

The Unleashed outing makes a case that there certainly can. For the group's first tour in five years there's no new album and therefore none of the attendant tension that comes when introducing fresh material. Everyone is purportedly getting along well these days. And the group has had even more time to adjust to life without Christine McVie, now 11 years (but only one tour) removed from Fleetwood Mac.

What that leaves the Mac and its audience with is hits -- an abundance from one of the most successful catalogs in rock history, more than enough to keep the two-hour and 20-minute show airborne from start to finish. The Fleetwood Mac that's trotting around North America now is comfortable in its position and is cheerfully celebrating its legacy, and the warm familiarity of its 23-song greatest hits set is likely just what its fans -- particularly those paying $80 or $150 for their tickets -- want.

The parade began with "Monday Morning" before sliding into "The Chain" and "Dreams," each in their usual No. 2 and 3 positions on the set list. "Gypsy," "Rhiannon," "Sara," "Landslide," "Gold Dust Woman," "Go Your Own Way" and "Don't Stop" had everyone singing along. And the group still managed to deliver a few surprises including "Tusk," album deep cuts such as "I Know I'm Not Wrong" and "Storms," the return of "Second Hand News," and a rendition of McVie's "Say You Love Me" with Buckingham and Stevie Nicks trading verses.

But more than ever, the Unleashed show underscored the fact that in McVie's absence, Fleetwood Mac has become the Buckingham and Nicks show -- which does not minimize the continuing strength of drummer Mick Fleetwood and bassist John McVie as a rhythm section or the six additional musicians' role in bringing a studio-quality sheen to the songs. It gave the night two distinct flavors -- Nicks' ethereal cool and Buckingham's manic edge.

It's an equation that gives a dominant edge to Buckingham, with his fluid, finger-picked guitar styles and aggressively inventive melodies such as "Go Insane" and a solo acoustic rendering of "Big Love." He delivered a spirited take of the original Fleetwood Mac's "Oh Well (Part 1)," then tore the roof off with a searing solo at the end of the slow-burning "I'm So Afraid" that made it as much a highlight as any of the set's bigger hits. Nicks did rise to the occasion with her 1983 solo hit "Stand Back," and had the night's last word with "Silver Springs," but even she seemed respectful of, and perhaps resigned to the sheer force of her former boyfriend's musical personality.

Buckingham noted during the concert that "every time we get together again it's always different, always a sense of forward motion, and we always have more fun." The Unleashed show is more like a holding pattern, but few in the audience would deny there's fun in hearing all those hits.

Article from Billboard
Written by Gary Graff, Detroit

Mick Interviewed for The New York Post

Renowned for caustic divorces and boozy intra-band affairs, Fleetwood Mac never seemed likely to celebrate a 42nd anniversary. Throughout the years, the only constant has been drummer Mick Fleetwood, who stuck it out behind the skins no matter how crazy things got. Now the band - including Lindsey Buckingham, Stevie Nicks and John McVie - is back on tour for the first time in six years, playing the group's biggest hits and a new version of "Rumours." The group hits Nassau Coliseum on Friday, Madison Square Garden on March 19 and the Izod Center on March 21. We asked Fleetwood about the reunion.

So, who caved in and got the reunion going?

There really wasn't any single person doing the coercing. We've been talking about it for two years, but needed to wait for the right time. Lindsey was working on solo records, I was touring with my blues band and both Stevie and Christine [McVie, a former member] were working on projects.

Is the group still tight?

Yes. John lives in Oahu and I live in Hawaii, so we see each other a lot. And Stevie has always been like family. We've all gone through such an emotional roller coaster together - everyone falling in and out of love with each other. Our story is pretty damn unique. A lot of the troubles Stevie and I went through are so well-documented, they've almost become boring.

Most of the band's insane alcohol- and drug-fueled stories are commonly known.

Any chance of creating new ones?

[Laughs] The days of putting up silver paper over the windows to keep the sunlight out are well and truly over. There's not much "partying" anymore. We still have fun . . . sitting around sharing old war stories, but nothing crazy. Most of us are in our 60s, with kids.

Which outlandish tale(s) stand out?

The thing that truly amazes me was the time we spent in the studio recording "Rumours." We made that album under impossible circumstances - everyone's life was falling apart. I was divorcing my wife, John and his wife Christine were separating, and Stevie and Lindsey were breaking up. It was a hell of a mess. But even though it was a horror show, we created something special that has withstood the test of time.

Any chance you'll be back into the studio?

I have three hairs left. If they all don't fall out following the tour, we've talked about recording again. I don't think we want to just sit around for another five years. We're all healthy, we still have loads of energy. [Laughs] Plus, some of us still have mortgages to pay.

By Joseph Barracato of The New York Post

2nd Chicago Performance Review

The grab-n-go revenue stream of aging rock bands is the greatest-hits tour. You spend the first half of your life creating groundbreaking hits; then you spend the second half performing them each time a new wife requests alimony or Bernie Madoff made off with your fortune.

Fleetwood Mac's current revival on the tour circuit has those hallmarks -- it is the Anglo-American band's first since 2003, when core members Lindsey Buckingham, Stevie Nicks, John McVie and Mick Fleetwood reunited for a new album that was surprisingly very good.

Their return is not featuring any of those songs, only hits from their blockbuster albums of late 1970s: "Tusk," "Rumours" and "Fleetwood Mac." Thursday night at the Allstate Arena, the first of two consecutive nights, Buckingham admitted there was "no new album -- yet" and the two-hour show would concentrate on "things we love and hopefully stuff that you love, as well."

It was a love affair to last. Unlike most outings like these, the band steered through its hits with interest that went well beyond professional courtesy. While the last tour was more like a revue, with secondary players crowding out the band, this outing was nicely subdued, with even the clownish Fleetwood kept in check.

Forty-one years past its earliest incarnation, the band wisely chose not to dwell on the same old references. Instead, it let the body of work stand on its own ground. At 60, Nicks is at an age where her voice is robust and layered with lovely textures; she sang "Landslide," as a blues song, tarnished but with strength.

She and Buckingham sang lead vocals together on many songs, harmonized sweetly on others, but made the unfortunate decision to trade vocals on "Say You Love Me." Their reconstruction did not suit their voices, and the interchange was strained.

The night belonged to Buckingham, who injected paranoid intensity into every guitar lick, whoop, holler, growl and foot stomp. His peers may have been knighted early in their careers for their guitar flash and mastery, but at age 60, Buckingham has emerged as the only one who still carries it forward with sparkle and commitment.

He elevated even his own revenue generators when the night's highlight became a pairing of the band's lesser-known songs: "Oh Well" and "I'm So Afraid." Played back-to-back, they built into an emotional purging of volume and odd detouring. As Buckingham stalked the width of the stage, he injected an edge-of-cliff abandon into his playing, yet maintained a remarkable technique.

Near the end, his body worked in convulsion over his instrument until he stopped to skip back to his spot -- a concluding image that was peculiar but well-deserved.

Chicago Sun Times
By Mark Guarino
Mark Guarino is a Chicago-based journalist. Visit mark-guarino.com.

The Boston Globe Interviews Stevie & Lindsey

Article by Sarah Rodman

The Boston Globe

All iconic rock records begin life as the dreaded "new stuff" fans don't want to hear.

Stevie Nicks vividly remembers a time when Fleetwood Mac fans weren't interested in the songs from the landmark album "Rumours." Granted, it didn't take long for the 1977 release to become a multiplatinum monster, but there was definitely an initial resistance to the charms of "Gold Dust Woman."

"The audience is always going to be like, 'We need to hear the songs we came here to hear,' " says the 60-year-old singer-songwriter. And at the start of the "Rumours" tour, the songs they came to hear were hits like "Rhiannon" and "Say You Love Me" from Fleetwood Mac's eponymous 1975 album, the first to feature Nicks and her then boyfriend, singer-songwriter-guitarist Lindsey Buckingham.

As the title of the current road show makes clear, Fleetwood Mac's "Unleashed: Hits Tour 2009," which comes to the TD Banknorth Garden on Wednesday, will not feature any new stuff. "We've had incredibly good luck with successful radio songs, so if you start with that and make a list, it's not a short list," says Buckingham, 59.

But this is no farewell jaunt for the band, which also features the namesake rhythm section of drummer Mick Fleetwood, 61, and bassist John McVie, 63. (Singer-songwriter-keyboardist Christine McVie retired from the group in 1998 but performed on the 2003 album, "Say You Will.") In separate back-to-back interviews, we talked to Buckingham and Nicks about the past, present, and future, and they made it clear that the British-American band that has withstood more than a half-dozen permutations will continue to make new music for the masses to disregard - at least at first.

Singing McVie's praises

This tour is the group's second go-round without McVie. The absence of her harmonies and keyboards was definitely felt on the "Say You Will" tour, as were her songwriting contributions, including the hits "Say You Love Me," "Over My Head," "Hold Me," "Everywhere," and "Little Lies." This time out, the group has decided to add some of her tunes to the set list.

Buckingham: "I think she would want us to do that. I think she's going to be flattered as well."

Nicks: "She's delighted. Chris is the greatest, she's not selfish and she's not conceited. She's just a wonderful, wonderful girl. She doesn't like to fly and you just have to. She was having panic attacks and she didn't tell us, so we were all very surprised when she said 'I can't do this' because we never knew she was having a hard time."

The Stevie/Lindsey dynamic

McVie's absence was also felt on a personal level, especially by Nicks, who felt adrift as the band's gender balance shifted. Buckingham was having a blast, however, digging into his songs and guitar playing. Onstage in Worcester in 2003, the former lovers could be seen shooting intense glares at each other.

Buckingham: "When we got off the road in 2004 with Fleetwood Mac, I know Stevie was not very happy with me. I think she maybe wasn't that comfortable onstage in a situation where, without Christine, I had half the material to do and I was just up there being a guy. I think her sense of herself, the context kind of got blurred for her without the female compadre. I had a great time; she didn't."

Nicks: "It went from being a band with two powerful women and a bunch of guys to a bunch of guys with one powerful woman. And Christine really was the powerhouse anyway, she really was the leader of the pack, our Mother Earth. So without Chris it definitely changed the dynamic. And I was lonely because I was obviously so used to having her there since 1975."

Buckingham: "That was one of the reasons we decided we would do a few more Christine McVie songs this time and that we would find ways to do them that are more about Stevie's and my dynamic. I've been talking to Stevie a lot and it's great, the chemistry, the history; I've known her since we were both in high school. And it's not only intriguing but it gives me a big smile that we're going to go out there as a band, the four of us, and particularly Stevie and myself, and be able to bridge all the crap that maybe we've never been able to completely bridge before. We're talking about a band whose sensibilities are so disparate that probably on some level we don't really have much business being in a band together. . . . It's the synergy of that, that makes it work, that makes it greater than the sum of its parts. I think it becomes important and timely to acknowledge that and to share it with each other."

New record on the horizon

The band members hope to keep that synergy going when they get off the road and into the studio.

Nicks: "There's nothing better than having a totally tight, rehearsed band go in and make a record because you're playing great and you've been hanging out for a long time. I'm excited about it because I think the world should have another Fleetwood Mac record. Even if it doesn't sell one record, what it is for us is the experience of making the record. It really is the journey of making 'Rumours,' of making [her first solo album] 'Bella Donna,' of making these really precious records in the long run that is almost more important than what they did when they left us."

Buckingham: "I think there are chapters yet to be written with this band, and there are chapters that need to be written for the people themselves. There have been some things left hanging out there, and this isn't just a band getting together to do it for the bucks. . . . I'm getting quite excited about it, I have to say."

Fleetwood Mac at Allstate Arena: Lindsey Buckingham burns through nostalgia

Article from The Chicago Tribune
greg@gregkot.com

The Fleetwood Mac set list Thursday at the packed Allstate Arena was straight out of the ‘70s, but Lindsey Buckingham was very much in the present tense on the quartet’s latest reunion tour.

The leather-jacketed guitarist played like his graying hair was on fire most of the night, throwing himself into the songs with a gusto that frequently erupted into manic howls and fleet-fingered, shrapnel-tossing solos. Buckingham pulled the 23 creaky songs out of the long-lost “Rumours” era and into the now, with enthusiastic assistance from drummer Mick Fleetwood.

With the stalwart bassist John McVie at his side, Fleetwood looked like he had just popped out of a Dickens novel, a towering, pony-tailed Fagin in knickers. For all the mugging and preening, he pounded the drums with maniacal glee, blending bluesy firepower with orchestral flair. The inventively propulsive drum parts on songs such as “Rhiannon,” “Go Your Own Way” and “World Turning” colored the arrangements with authority, and matched Buckingham’s passion.

Stevie Nicks was the only member of this revived version of the band’s classic ‘70s lineup (minus singer-songwriter Christine McVie, who retired from the business years ago) who wasn’t quite up to speed as the show began. Her voice has not only deepened, it has lost much of its flexibility, and her performances of “Gypsy” and “Rhiannon” fell flat. She re-accessorized continually with boots, dresses, shawls, scarves, tambourines and even a top hat as the show progressed over two-plus hours. Halfway through the set, she finally shook off the doldrums and audibly rose to the occasion on “Landslide,” accompanied only by Buckingham’s guitar.

“I’m getting older, too,” Nicks sang with soaring, if melancholy conviction. By the time she trotted out her solo hit “Stand Back,” she felt frisky enough to revive one of her trademark twirls.

But it all would’ve been little more than a quaint rehash of a bunch of golden oldies were it not for Buckingham. He started strong, pushing his voice hard on “Monday Morning,” and by the end of the set was finger-picking shrieking, gale-force solos from his instrument, reanimating Peter Green’s early Mac classic “Oh Well” and investing “I’m So Afraid” with scarifying intensity. Wired and still wiry, Buckingham looked like he could’ve raved all night with this rhythm section at his back.

Reminder: Stevie to be on 'The Chris Isaak Hour' TONIGHT!

Hey everyone!

Just a reminder that Stevie will be on 'The Chris Isaak Hour" on The Bio Channel (10 PM EST)!

It looks like she will be the only guest, so it should be a good show and a must-see!

We hope everyone enjoys The Mac concert in Chicago tonight! Have a blast!

Mick's New Album: Blue Again

Hey everyone - Mick Fleetwood's new album with The Mick Fleetwood Blues Band will be released on March 17th!

Head on over to pre-order it at Amazon.com!

3/3/09 Minneapolis Review: Fleetwood Mac Outdoes Itself

Soap operas are addictive, aren’t they? Eventually we come back for a peek even if the cast of a long-running soap has changed, because the story lines remain the same.

That’s true of rock’s longest-running soap opera, Fleet­wood Mac. The romantic tension between Stevie Nicks and Lindsey Buckingham, lead singers for about 34 years, never goes away, even though these high school sweethearts broke up in the 1970s. They walked onstage Tuesday at the Xcel Energy Center hand in hand — in the darkness.

Then for the next 2¼ hours, they put on one of those rare shows in which it was about the individuals of the band rather than the sum of the parts. Even though the 42-year-old band has had more different lead guitarists than Spinal Tap had drummers, Fleet­wood Mac has always been about being greater than the sum of its parts. That was certainly true when Buckingham Nicks, a former duo, joined in the mid-’70s, sharing vocals and writing duties with keyboardist Christine McVie (who retired in 1998).

While the rhythm section of drummer Mick Fleetwood and bassist John McVie was rock solid all night, the rest of Tuesday’s concert felt like the Stevie Nicks Show or the Lindsey Buckingham Show. Not that it was a competition.

Lots of S&L mentionings in this review, check it out over at StarTribune.com!!!

Fleetwood Mac Still Rockin' After All These Years

Back in the '70s when you were listening to "Rhiannon" and "Gypsy," you may have given a passing thought to the concept of Stevie Nicks at 60.

Now we're at the point where we don't have to imagine anymore.

We saw her last night at the Mellon Arena on the opening show of the Unleashed tour, and we can testify that she's still the golden haired diva, still mysterious, still beguiling, still beautiful as she sings those haunting, heartbreaking love songs.Her partner in crime since they were teenagers, Lindsey Buckingham, is still on the brink of 60, at 59, and he's, well, he's going to be an intense dude up until the day he dies.

The former lovers came out holding hands and then went off to their positions to dazzle with the promised greatest hits show, plus some surprises from the back catalogue.

Buckingham made early mention of the band's "complex and convoluted emotional history," saying that every time they come back together "it's always different." He added that they "had a ball" during their days of rehearsal at the arena, and the evidence was on stage.

A nod to their fresh start was "Monday Morning," an unexpected opener, as it was never a staple of the "Say You Will" tour five years ago. It wasn't until the second song, "The Chain," that we got that first taste of the magical Buckingham-Nicks harmonies, two voices that born for each other.

Read the rest of this great review over at the Pittsburgh Post Gazette!

OPENING NIGHT 'UNLEASHED' SETLIST - SPOILER!

Below is the set list for tonight's opening night in Pittsburgh! The font is black so just highlight below to see it, otherwise don't bother if you plan on being surprised! Obviously since this is opening night, things might change for future shows but as things stand....here it is, what we've been waiting for!

Monday Morning
The Chain
Dreams
I Know I'm Not Wrong
Gypsy
Go Insane (full band)
Rhiannon
Second Hand News
Tusk ('slow' version)
Sara
Big Love
Landslide
Never Going Back Again
Storms
Say You Love Me (Stevie/Lindsey trade vocals on verses)
Gold Dust Woman
Oh Well
I'm So Afraid ('blues' version)
Stand Back
Go Your Own Way

Encores
World Turning/Drum Solo (Mick)
Band Intros
Don't Stop
Silver Springs


I hope everyone who attended enjoyed the show, and I hope everyone who is going to see them SOON has a great time! The Mac is back, let the fun begin!!!